Ranking the Academy Awards 2025 Nominations
What were Phil and Kat's favorite films nominated for the 97th Academy Awards?
Hi Lifeline Comics Readers!
With the 97th Academy Awards this Sunday, we’ll be talking about 2025 Oscar films as the main topic of this newsletter — Ranking Oscar-nominated films, sharing our Predictions/Ballots, and more!
We’ll also share some more details about our huge, secret webcomic launch that is coming sooner than you think, announce some new additions to our website store, and more!
Let’s dive in!
New Webcomic Launches Soon!
Phil: You may recall that we teased a “surprise” new title a few weeks ago that we’ve been putting together in the background over the last few months.
Well, we’re finally approaching the launch of the new series, which we can now reveal to be a NEW WEBCOMIC from Lifeline Comics!
We’ll hold off sharing the details of the series until our next post, but we can tease that it’s a supernatural comic that Kat and I are so excited to debut. It’s one of our favorite series we’ve worked on to date, and we really think you’re going to love it as well — especially if you’re a fan of our other Webcomic, “Slice of Life”!
This new webcomic will debut as an entry in the Webcomic Legends Contest that Webtoon is hosting. Audience Engagement is a factor in the judging of contestants, so we would really appreciate any reads, likes, comments, and subscribes you can throw our way when the comic launches on Monday, March 10th! It’s a great way to support us for free.
We’ll share more details when the webcomic launches in less than two weeks! We truly can’t wait to share it with you!
Kickstarter Campaigns Reminder!
Phil: And finally, here’s a quick reminder of our LIVE and UPCOMING Kickstarter campaigns!
LAUNCHING MONDAY: The Beast & Snow #1-3: Vampire Snow White vs. the Evil Queen
“The Secret Origins of the EVIL QUEEN Revealed! WEREWOLF BELLE and VAMPIRE SNOW take their relationship to the next level. Mature 18+”
LIVE NOW: Rainbow Canvas: Valentine’s 2025 Annual
“BRAND NEW Wholesome Queer Romance stories from eleven of your favorite Boy Love & Girl Love Webtoon Canvas series!”
LIVE NOW: Witches of Oz #1 - Emerald City Comic Con 2025 Variants
“Spend ONE SHORT DAY at ECCC with new Variants for our GLINDA X WICKED WITCH Mature Romance Comic! Art by: Bob Quinn (X-Factor)”
If you’re not attending Emerald City Comic Con in Seattle next week, you can grab our event-exclusive cover for a limited time on Kickstarter!
And if you are going to be at ECCC, be sure to stop by Table O-28 to say hi!
Ranking The 97th Academy Awards Nominations
Kat: It’s my favorite time of year, the Academy Awards!
I’ve been having binge watching parties since ninth grade and always try to watch as many of the nominated films that I can.
This year might have been a record with 11 total films. The only two I missed from my watch list was The Brutalist (that almost-four-hour movie is daunting) and I’m Still Here (I missed the theatrical release and it’s still not available to purchase).
…And now Phil has even joined the Oscar hype train.
Phil: While I didn’t go as hard as Kat in watching Oscar movies, I tried to make sure I caught all of the movies I was interested in before the awards this weekend. In a perfect world, I would’ve also watched Nickle Boys and I’m Still Here. But I’m sure I’ll see them later in 2025!
To celebrate the awards, we’ve decided to Rank Oscar films — counting movies we saw in 2024 that were nominated for any award (not just the Best Picture noms). We’ll even take a moment to discuss, in our opinion, the biggest snub. Since Kat saw three more Oscar movies than I did, I’ll jump into the Rankings at Number 8 below.
Without further ado, let’s go ahead and start this ranked list!
11. Kat’s Pick: Nosferatu
Nominations: Best Cinematography, Best Costume Design, Best Production Design, Best Makeup and Hairstyling
Nosferatu…is a gorgeous film…that bored me to “death”. It’s nominated for all the right categories. There were a few scenes that took me out of my slumber when Lily-Rose Depp showcased her superb acting chops as she fought through the curse of Nosferatu.
I can admire all these things and still admit that this movie is VERY MUCH NOT for me. I don’t usually love period pieces and there weren’t enough intriguing story beats to personally hook me through the film’s over 2-hour runtime.
10. Kat’s Pick: Emilia Perez
Nominations: Best Picture, Best Director, Best Actress, Best Supporting Actress, Best Adapted Screenplay, Best International Film, Best cinematography, Best film editing, Best original score, Best original song, Best sound, Best makeup and hairstyling
Emelia Perez makes the tenth spot because at least the memeable moments made me laugh. “Penis to vagina, Man to Woman woman to man”
Honestly, there is a GOOD film hidden somewhere in here. (all controversies aside) A former Mexican drug lord who wants to create a new life for herself…a broken marriage…a musical? It just had way too many elements that never truly came together. And did this really have to be a musical? There weren’t enough memorable songs to warrant this choice. Trying to be a little of everything took away from the potentially powerful trans narrative that ultimate falls flat.
9. Kat’s Pick: Alien: Romulus
Nominations: Best Visual Effects
As a fan of classic Alien this is truly a love letter to both the horror and sci-fi elements of the franchise. There are plenty of edge to your seat moments that could only be accomplished through the silence of space. Alien: Romulus is a movie I enjoyed in the moment, but is one I’ve forgotten as more time has passed.
The characters aren’t as punchy as Sigourney Weaver’s presence in the originals. And compared to giants like Wicked and Dune, I don’t see it edging out those blockbusters for best visual effects.
8. Kat’s Pick: Conclave
Nominations: Best Picture, Best Actor, Best Supporting Actress, Best Adapted Screenplay, Best Costume Design, Best Film Editing, Best Production Design, Best Original Score
With reports about our own Pope having health issues, Conclave becomes a reflection of our potential reality. Everything in this film’s DNA SCREAMS Kat movie…but Conclave mysteriously falls flat for me. I can’t quite put my finger on why it didn’t skyrocket to the top of my list, but ultimately the movie left me wanting more.
Ralph Fiennes carries the weight of the church on his back, but keeps the audience at a distance. There are some interesting political elements that move you through the film, but no character that truly makes you feel for the events that unfold.
8. Phil’s Pick: Nosferatu
Nominations: Best Cinematography, Best Costume Design, Best Production Design, Best Makeup and Hairstyling
My brother, Dan, and I were pretty excited to see Nosferatu. But unfortunately, the longer the film went on, the less interested I found myself to be. This is the only 2025 Oscar-nominated movie I saw that I would say I didn’t like.
While the cinematography is breathtaking and the performances are unique, so much of Nosferatu’s runtime moved at a snail’s pace. I can appreciate “slow” pacing to build tension. But I found this film’s pacing had the opposite effect on me, removing any sense of tension I might have felt at the start of a given scene and replacing it with sheer boredom.
When I think back on this film, the positive aspects I’ll remember will undoubtedly be Lily-Rose Depp’s performance and the film’s expert use of shadows. But the thing I suspect I’ll remember most is how much I had to force myself to engage with the movie when it repeatedly lost my interest.
7. Kat’s Pick: Inside Out 2
Nominations: Best Animated Feature Film
Disney doesn’t have the strongest showing for a category it usually dominates. Inside Out 2 is a major improvement from the first installment, but ultimately a forgettable movie compared to Pixar’s famous lineup.
The sequel is less adventurous than the first, and much more character driven. It creates new emotions to showcase the complexities of growing up. I enjoyed the message, but Riley’s side of the story brings down the narrative. The movie leans a bit too much on the “annoying teen” cliche, which takes away from the strengths of the emotions.
As for the visuals, it’s pretty similar to the style of the first. It’s bright and inviting, but there aren’t any true stand out moments needed to exceed during this animation renaissance.
7. Phil’s Pick: Alien: Romulus
Nominations: Best Visual Effects
The gap between my #8 and #7 picks is a pretty vast one. While Alien: Romulus isn’t my favorite film by any means, it is one I enjoy and appreciate.
Despite a slow first act and a somewhat weak supporting cast, Romulus thrives on its two leads and its Xenomorphs. The relationship between lead siblings Rain (Cailee Spaeny) and Andy (David Jonsson) is engaging all the way through the movie and adds a fresh flavor to this long-running franchise. I actually left the theater wishing we got to spend more time with the two of them together (and on the same team).
And, by far, the biggest triumph of Romulus comes in the form of its titular aliens. The Xenomorphs in this film are scarier than they’ve been in a long time. The film is full of great set pieces involving the aliens — my personal favorites being a scene of our leads sneaking through a room full of Facehuggers (which is some of the best use we’ve gotten of Facehuggers to date) and a scene of our leads trying to kill a cocooned Chestburster before it emerges as a fully-fleshed Xenomorph.
The Visual Effects nomination is well-deserved as this is the best that Xenomorphs have looked to date.
6. Kat’s Pick: Anora
Nominations: Best Supporting Actor, Best Actress in a Leading Role, Best Directing, Best Film Editing, Best Picture, Best Writing (Original Screenplay)
Anora lives or dies on Mikey Madison’s performance. She truly brings a life and flare to a story about a stripper who ends up in a complicated relationship with a Russian heir. The plot is a bit thin BUT Anora is a uniquely fun character to follow. The movie especially shines in Act 2 and 3 as we get to see Madison masterfully balance fun with pain.
6. Phil’s Pick: Inside Out 2
Nominations: Best Animated Feature Film
The first Inside Out is a movie I like, but don’t love. It has a strong premise and great characters (particularly Joy, Sadness, and Riley), but gets too bogged down by the “adventure” in the middle. Thankfully, the emotional core is strong and shines through by the end. But the first film left me wishing for a movie that was less about the “adventure through Riley’s mind” and spent that time giving us more scenes of Riley and her emotions. And thankfully, Inside Out 2 does exactly that.
Inside Out 2 is a sequel that improves upon the original in almost every way. The characters maintain their development from the first film, but the new challenges of Riley going to camp and becoming a teenager give them more material to play with. It’s a great balance of feeling like the original movie but carving its own path.
And while Inside Out 2 doesn’t reach the “highest of heights” to make it one of my favorite Disney/Pixar films, it succeeds in delivering a great sequel to a good first film.
5. Kat’s Pick September 5th
Nominations: Best Writing (Original Screenplay)
As a former journalist, I’m a sucker for movies like September 5th. A film that uses actual archived footage to tell a dramatized version of the Munich massacre. I’m a little too young to have lived through the event. Honestly, I didn’t even know it happened so every story beat was a new revelation for me.
I’m not saying September 5th is the ULTIMATE THRILLER, but it’s an intriguing story about the imperfection of journalism. It’s a human story about doing everything in your power to try and use your voice to help people in need, but in the long run it may not be enough. …you may even be the reason why things went south.
(P.S.: this deserved an editing nom for how masterfully they weaved the real footage with their actors)
5. Phil’s Pick: Anora
Nominations: Best Supporting Actor, Best Actress in a Leading Role, Best Directing, Best Film Editing, Best Picture, Best Writing (Original Screenplay)
Anora, the film, lives and dies on the strength of its lead. (EDIT: Kat and I wrote the same opening line for this film’s review without coordinating 🤣). And thankfully, Mikey Madison delivers a performance that is equal parts hilarious and tragic.
Your enjoyment of this film really hinges on how much fun you have watching Anora herself. If you find her to be as many parts interesting as she is flawed, then you’ll undoubtedly have a great time with the film. It’s a fantastic character piece that really gets you into Anora’s head but leaves enough room for doubt and surprise to catch you off guard periodically.
The film is also filled with hilarious comedic beats without becoming an outright comedy movie. And the ending twenty minutes really sings and delivers a perfect emotional crescendo to the incredibly long day (week?) that Anora just came out on the other end of.
4. Kat’s Pick: The Substance
Nominations: Best Leading Actress, Best Directing, Best Makeup & Hairstyle, Best Picture, Best Writing (Original Screenplay)
The Substance is a surprisingly quiet film. It isn’t the most original idea to tackle the struggles of beauty standards in Hollywood, but the way The Substance tackles it through body horror is what makes this film climb so high on my list. The Demi Moore and Margaret Qualley tag team is seamless as they slowly show the horrors that come with trying to change yourself and the pressures that force you to do so.
(Poor Margaret Qualley didn’t get a nom)
4. Phil’s Pick: The Substance
Nominations: Best Leading Actress, Best Directing, Best Makeup & Hairstyle, Best Picture, Best Writing (Original Screenplay)
It’s always a pleasure to see the Academy giving some representation to horror — a genre that tends to go completely ignored during Oscars seasons. And The Substance definitely earns its nom as a powerful body horror film that leaves the viewer with a lot to think about once the credits start to roll.
The Substance does a fantastic job instilling a sense of dread and irreversibility as the film progresses. It’s grotesque, but also kind of beautiful? And both Demi Moore and Margaret Qualley deliver fantastic performances. My only critique of the film is that I think it’s a little *too* quiet. I love a movie with good dialogue (or even monologue), and The Substance really revels in the silence and solitude. But that personal preference aside, The Substance is a fun, disgusting, unique film that I hope takes home something this weekend!
3. Kat’s Pick: A Complete Unknown
Nominations: Best Actor in Leading Role, Best Actor in a Supporting Role, Best Actress in a Supporting Role, Best Costume Design, Best Directing, Best Picture, Best Sound, Best Writing (Adapted Screenplay)
I’ve seen plenty of music bio pics in my day, some of them are good most of them…aren’t. A Complete Unknown is a success because it doesn’t try to cram all of Bob Dylan’s life into a 2-hour run time. It doesn’t try to make him a “hero”.
Instead, you get to witness how this complicated guy shaped a generation. Timothée Chalamet, Monica Barbaro, and Edward Norton put their own spin on Dylan’s discography all while keeping what made these songs classics intact. It does everything a great bio pic should do while being uniquely its own.
3. Phil’s Pick: The Wild Robot
Nominations: Best Animated Feature, Best Original Score, Best Sound
The only Oscar-nominated movie this year I saw that Kat did not. An earnest and well-paced animated film that really takes its time fleshing out its three leads and the world that they occupy.
The Wild Robot may be one of my favorite examples of “humanizing the robot” (a trope that I’ve seen hundreds of times in my life). I think the slow-but-purposeful pace at which titular Robot/AI Roz gains sentience makes sense and is a lot of fun to watch. And her relationships with Brightbill and Fink are sweet-but-nuanced in a way that a lot of movies fail achieve in such a short time frame.
I’ve heard arguments that the film’s messaging is a bit heavy-handed, but I don’t hold those complaints since I think The Wild Robot earns its environmental commentary, the character development Roz, and the evolving reactions of the community of forest creatures to their world changing around them.
2. Kat’s Pick: Wicked
Nominations: Best Actress in a Leading Role, Best Actress in a Supporting Role, Best Costume Design, Best Film Editing, Best Makeup and Hairstyling, Best Music (Original Score), Best Picture, Best Production Design, Best Sound, Best Visual Effects
Mainstream films like Wicked don’t always get the love it deserves at the Oscars, but I’m glad to see the “film of the year” get its moment in the sun (even if there were a few snubs along the way. The directing category really doesn’t like blockbusters, does it?).
Wicked is a success story in so many ways! It was a blockbuster HIT, reminding us why it was a cultural phenomenon in the first place, and it did one of the hardest things of all time - created an adaptation that fans of the original could champion behind. It’s a near perfect stage to screen adaptation as it extends scenes that only a movie can achieve, while still keeping the magic of the play.
It’s not just a love letter to theater or The Wizard of Oz…it’s a love letter to film. It celebrates what made The Wizard of Oz an iconic film by embracing practical effects and elaborate set pieces, all while using the liveness of the stage to play out the theatrical elements in real time.
2. Phil’s Pick: Sing Sing
Nominations: Best Actor in a Leading Role, Best Music (Original Song), Best Writing (Original Screenplay)
An incredibly beautiful and incredibly human film that I’m honestly shocked didn’t get a Best Picture nomination. Sing Sing is maybe a perfect Oscar film, delivering a fantastic character story that serves both its lead, Divine G (a role for which actor Colman Domingo is thankfully nominated for Best Actor), but also its entire supporting cast.
All of the inmates in the Sing Sing theater program have a moment to shine. It’s impossible to watch this movie without empathizing for the situation of this group of men — most of whom have undoubtedly done bad things — as they struggle to find moments of light and humanity through their performances.
I especially love how Sing Sing shows just enough of the “darker” elements of prison to get us into the characters’ mental state, but that it would rather spend the bulk of its runtime in the “escape” of the theater program. The film is expert at knowing exactly what it needs to show and what it needs to tell (including some incredibly monologues about characters’ experiences in prison).
Sing Sing was the last Oscar movie I saw before the Academy Awards this weekend, and I’m really glad to have snuck it in.
BONUS, BIGGEST SNUB: Challengers
Phil: Before we get to our Number 1 picks, we wanted to take a moment to discuss our biggest “Snub” — the film we thought deserved at least some Oscar nom and was completely overlooked by the Academy.
This year, Kat and I share the same strong opinion on the biggest snub: Challengers!
The manipulation, affection, detestation, and desire (sometimes all at the same time) are absolutely off the charts and make for one of the most engaging trios (is it fair to say throuples?) in recent film memory. And it feels like as explosive a character piece as this deserves some recognition.
Kat: Challengers released earlier in the year…but Academy Awards, how could you forget this amazing film? (At least the Golden Globes gave them some love)
Challengers isn’t your average sports film, and it’s much more than its iconic threesome scene. It’s a film that explores competition on and off the court as Zendaya plays the perfect manipulative villain. It expertly builds tension as it cuts between different periods in the trios’ lives as the intensity of the main tennis match builds.
The film made a whole damn prosthetic to create Zendaya’s scene where she breaks her leg. I do think the movie at least deserved to get one of the visual category nominations.
1. Kat’s Pick: Sing Sing
Nominations: Best Actor in a Leading Role, Best Music (Original Song), Best Writing (Original Screenplay)
Movies like Sing Sing are the very reason why I love the Academy Awards, and I do these binge watches. It’s a story about humanity. Most prison stories focus on showing you the brutality of the system, but Sing Sing uses the theater as a space to escape that brutality.
There’s this beautiful scene where one of the prisoners describes a interaction where a man was murdered. Blood splattered everywhere. That’s their normal. But in these classes…that’s where these men get to truly process these inhumane moments. Blood splattering murders aren’t normal…its traumatic. It’s something you carry with you, a weight you may not even know you’re carrying.
Acting isn’t about pretending, but instead unlocking something you didn’t know you had in you. These sessions are not just about creating a wacky play about time travel, but instead it’s about digging deeply inside of yourself to figure out what makes you a king, a mummy, …or hell even Freddy Krueger. Every single time I thought the shoe was going to drop and become a different film it never did, and that’s truly what makes Sing Sing such a special film.
I really wish it was nominated for more categories. How it didn’t get a Best Picture nom is beyond me. It deserves more of a spotlight!
1. Phil’s Pick: Wicked
Nominations: Best Actress in a Leading Role, Best Actress in a Supporting Role, Best Costume Design, Best Film Editing, Best Makeup and Hairstyling, Best Music (Original Score), Best Picture, Best Production Design, Best Sound, Best Visual Effects
Look, is Wicked the most traditionally “Oscar”-movie on this list? No. But is it my favorite movie of the year? Absolutely.
I’ve gushed about Wicked a half-dozen times in newsletters past, so I’ll spare you the overlong rehash. The Wicked film does exactly what an adaptation should do. It honors the source material, but expands (and in many ways, improves) upon it. The film is beautiful to look at, hear, and think about. And it’s anchored by some of my favorite performances I’ve seen in film.
Wicked is one of my favorite movies of all time, and I truly hope to see it take home some gold on Sunday!
Phil: We hope you enjoyed our ranked list! To end off the Oscars discussion, we’ll also share our Predictions/Ballots below!
Kat’s Oscar Ballot
There’s a mixture of dark horses and almost guaranteed to win that I’m happy with for my list this year.
Phil’s Oscar Ballot
This is actually my first ever Oscar Ballot. I alternated a little heavily between “What I think will win” and “What I want to win” depending on the category. We’ll see how that plays out for me on Sunday! 😬
Beast & Snow #2 & Mob Princess #1 are on our Website!
Phil: Are you not a Kickstarter backer but interested in our books? No problem!
Our Website is now updated with The Beast & Snow #2 and Mob Princess #1! If you missed out on either of those series, you can grab them from the Lifeline Comics Website shop!
Guests on Matthew Klein’s Newest Podcast!
Kat: If you want to hear our thoughts and guidance for how to create a successful Kickstarter than listen to Matthew Klein’s newest podcast episode.
Comics
Let's discuss some comics we've enjoyed recently!
As always, we’ll spotlight an Indie Book, a DC/Marvel book, a Live Kickstarter book and a Webcomic!
Indie Comic: Camgirl (AWA)
Kat: I’ll be honest, this book wasn’t on my radar until my friend Mike from ComicBookCorner2.0 recommended it to me.
One-shots come few and far between, there are either mini-series or original graphic novels, I rarely see one-shots coming out of the indie space. But there is a strength to a short comic with a beginning, middle, and end.
Camgirl follows a sex worker and her struggles with mental health. What’s so powerful about this book is how much Sarah H. Cho and C.P. Smith put their souls into it. At the end of the book, Cho discusses her own struggles with mental health and how it inspired her to tell this story. She uses Dani to explore what it actually means to have a mental breakdown and how that could change your perception of your life. It’s especially powerful as Cho explores all these complicated subjects through the lens of Asian culture and expectations.
If you’re looking for a quick read with A LOT of punch, then you should grab Camgirl.
DC Comics: Absolute Superman
Kat: Even though I’ve been singing Superman praises on plenty of these newsletters…I’m shockingly USUALLY not the biggest Superman fan, but it shows when you have the right creative team behind a character than you can truly fall in love with any story.
Jason Aaron and Rafa Sandoval’s Absolute Superman has been creeping up to be my favorite Absolute title from DC’s alternate universe lineup. It keeps the soul of Superman, all while feeling like a “darker” world. But I’ve been most impressed by the spotlight given to Superman’s supporting characters. Especially Lois Lane, who instead of being a reporter, is a military agent who may have just realized she’s been fighting on the wrong side of the law.
Absolute Superman is a blueprint for how to do an Elseworlds story. It gives us a new spin on a franchise we’ve seen plenty of times by keeping the core of the characters but giving them new challenges that they could never face on Earth 1. Elseworlds allow creatives to take risks that a flagship would never be able to take, and Absolute Superman is already proving to be an Elseworld at the top of its game.
Kickstarter: Zombie Date Night 2: A Zombie Romance Comedy Sequel
“Still recovering from the awkwardness of their first Zombie Date Night, main characters Jack and Ginger have reached the scariest place to be…the friend zone. Will the second date be better than the first or will this situationship be food for the undead?”
Phil: Steve Urena gave us the first Zombie Date Night back in 2021, and it’s a Kickstarter comic that has stayed in my mind ever since.
A horror/comedy with a super fun title and premise. Zombie Date Night bleeds personality from the moment you see it — everything from the stylized “classic romance” covers, to the distinct interior art style, to the hilarious language Urena uses for the book (the new Kickstarter page even opens with a short poem 😂).
This is the perfect campaign for comedy and horror fans during Valentine’s Day season. And if the newest issue is half as fun as the first, then you’re in for a great time!
Back “Zombie Date Night” here!
And if you’re looking to dive into even more Kickstarters then check out Kat’s Top 10 Comic Book Kickstarter video for the month.
Webcomic: Lesbiampires
“Daphne and Veronika are a couple of vampires living in a human society and taking advantage of it.”
Phil: A slice of life comic about the daily lives of a pair of lesbian vampires — which covers everything from who they’re eating for dinner tonight, to taking us back in time to their first meeting, to exploring the intricacies of their world and backstories.
I enjoy a slice of life comic that isn’t afraid to vary its formula. And Lesbiampires is a great example of that. Some episodes are fun/comedic “a day in the life” shorts. Others will explore the histories and family dynamics of our characters — often with a more dramatic tone.
Lesbiampires does a great job of filling up its world with unique vampire characters. While the initial focus is on lead couple, Daphne and Veronika, as the series progresses, we’re introduced to more and more “lesbiampires”.
It’s a really fun comic for fans of supernature slice of life. And it’s even one of the webcomics featured in our new volume of Rainbow Canvas. Working with series creator, Fabarts, we can tell you that she’s an absolute pleasure on top of putting together a pretty stellar webcomic!
Read “Lesbiampires” on Webtoon!
In Closing
Thanks, as always, for reading!
We hope you enjoyed our ranking of Academy Award-nominated movies! Sound off with your own Oscars opinions in the comments and DMs!
Stay tuned for the launch of our big new Webcomic in a couple of weeks (and PLEASE help us with the contest by reading, liking, subscribing, and commenting when the new comic launches)!
If you’re at Emerald City Comic Con next week, stop by Table O-28 to say hi. And if you’re not, don’t forget you can grab our ECCC-exclusive variant cover on Kickstarter for a limited time.
And finally, be sure to take a look at our Rainbow Canvas: Valentine’s 2025 Annual and The Beast & Snow #1-3 campaigns as well!
Subscribe above for biweekly updates on our future projects!
Buy Lifeline Comics on our Website!
Current Kickstarters:
Rainbow Canvas: Valentine’s Annual 2025 (Ending 3/13)
Witches of Oz - Emerald City Comic Con ‘25 Excl. Variants (Ending 3/13)
The Beast & Snow #1-3 - Vamp Snow White vs. Evil Queen (Launching 3/03)
Next Cons/Events: Emerald City Comic Con (Seattle, WA) (Table O-28)